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Tuesday, December 21, 2021
Veronica Vera
Miss Vera's Finishing School For Boys Who Want to be Girls
Miss Vera's Finishing School For Boys Who Want to be Girls is a business in New York City that provides instruction in cross-dressing founded and run by Veronica Vera. Actor Paul Dano attended the school while researching a role in the film The Extra Man. One of the school's most popular topics of instruction is walking in high-heeled shoes. In 2008, Vera said more than 5,000 people, including many women, had enrolled in this class in the previous 12 years.
Pascale Ourbih
Pascale Ourbih was born in Algiers in 1972. After finishing school he began to train as a pharmacist, but moved to Paris in the mid-eighties when age 18, she has lived ever since. Soon after arriving in Paris she began hormones, getting injections every 10 days, and had her surgery the following year.She works for the Maryline Gautier model agency. She models for fashion shows, poses for photos and takes acting lessons. She has been a consultant in psychology for ten years, and her hobby is astrology. She also works as a volunteer for an AIDS prevention association. In 2000 she was approached by the director Pierre-Alain Meier to star in his new film “Thelma”, which was released in April 2002.In the film, Pascale stars as Thelma, a beautiful, 30-year-old woman who was previously a man named Louis. Thelma hires taxi driver Vincent to drive her across Europe to Crete, to see her ex-lover Fenia. Vincent becomes a friend and would-be lover – until he discovers her secret. Once in Crete Thelma's past as a man reappears when she meets Eleni, the daughter she had with Fenia. Thelma becomes torn between her need to be a woman and the need to be a father to her child, but Vincent is able to overcome his revulsion to provide the love and support she needs. Piere says “I decided to shoot the film with a transsexual woman. Pascale Ourbih accepted this part even though it meant taking personal risks. From the moment you see Pascale naked in the film, the narration no longer works in a classical way…. How can a man become a woman? I tried to answer this question by showing Thelma's naked body and unveiling her provocative and troubling being.” More information about the movie and Pascale can be found on the official Thelma website.
Sally Mursi
Sally Mursi (ar: سالي مرسي, born March 30, 1968) is an Egyptian entertainer and transgender woman. Her sex reassignment surgery in 1988 was a source of controversy and lawsuits in Egypt. Prior to pursuing medical operations, Mursi consulted with psychologist Salwa Jirjis Labib and underwent three years of conversion therapy, after which Labib referred her to a surgeon. Mursi was further referred to plastic surgeon Ezzat Ashamallah, who affirmed the diagnosis of "psychological hermaphroditism" and prescribed hormone replacement therapy for one year prior performing surgery on January 29, 1988. As a medical student at Al-Azhar University, Mursi had been suspended pre-transition for wearing women's clothing. When she returned post-transition, the university expelled her and initiated a legal battle against the physician Ashamallah, causing him to be removed from the Physician’s Syndicate. The Syndicate requested a fatwa on the case from Sheikh Muhammad Sayyid Tantawy, who designated the issue as a medical condition and subject to physician's discretion. Al-Azhar brought the case against Ashamallah to court, in which process Sally was subjected to a full body examination. The examiner confirmed the diagnosis and Ashamallah was acquitted.
Stephanie Tucci
Stephanie Tucci has 15+ years of experience as a scenic artist for theatre, film/TV, and art installations with multiple management roles under her belt. Her credits span New York City, Berlin, and London. Having earned a BFA in Theatrical Production concentrating in Set Design from Ithaca College, USA, she has acquired knowledge and skills in all areas of theatre production. Her freelance career in New York City (2007-09) includes many productions at the Public Theater and Showmotion Inc, as well as Freshwater with Anne Bogart and Night over Taos with Estelle Parsons. In Berlin (2009-16), notable studios included Babelsberg Film Studio, Buehnenservice, and Havelstudios, before she took the role of Head of Scenic Art at the German National Theater in Weimar (2017-19). After deciding to move to the UK, she is very happy to become the Head of Scenic Art at Royal & Derngate in Northampton.
Stephanie has select availabilty for projects and lectures and is always available to give more information.
I designed/calculated the dimensions to accommodate for 22 panels. Each panel is removable within the model, so the 22 frames could be selected from the over 100 possibilities.
The piece is called Becoming and documents her physical transition from male to female. There are accompanying flip books sold. I built the model and created draftings for her, as well as help other Transwoman
Miss Mako
Erika Dapkewicz has probably been the most prolific MTF transformation movie maker ever. Many have enjoyed her many stories published over at YouTube.
She has also made full length movies with MTF transformation components, like the Paradox Alice science fiction movie.
Monika Kowalska has interviewed Erika over at her transgender heroines blog, where Erika also talks about how transgender fiction helped her come to terms with her own identity.
Monika: Your YouTube vlog attracted almost 150 thousand subscribers. What inspired you to create the Miss Mako persona?
Erika: Oh, that’s a story from a long long time ago. When I was little and suffering from gender dysphoria… I was transfixed by fantasy stories of men transforming into women.I used to write stories and draw comics of this when I was a little kid and kept doing it when I became a teenager. It was when the internet came around in the mid-1990s that I found a website called The Transformation Graphics & Story Archive. It was the first time I found similar people like myself doing some of the same stories and art. To not use my real name at the time I picked the handle of MAKO (after my love of sharks).
Everyone had a handle then. I started to gain a bit of an underground following. I was pushing myself to do these stories in different mediums. So I started to do my own animated shorts. Comics. Live-action shorts culminating in a live-action feature called, “Paradox Alice”. I was asked to start my own YouTube Channel and I did so in 2006. I also started to do my own Vlogs and you can see me pre and post-transition on those.
Over the years… more and more people followed me. And many suffering from gender dysphoria from around the world and sharing their stories with me. I changed my handle to MISS MAKO after I transitioned. I don’t nearly post much on the channel anymore. As again… I’m trying to have a better balance of being able to enjoy life as much as I can now.
Miss Mako is using her experience from making MTF transformation movies to editing Disney movies!
Mindi Flyth
Mindi Flyth is an eBook author who specializes in dark, erotic stories featuring transgender transformations. Her other obsessions include giantesses and shrinking, bimbofication, breast expansion, inanimate object transformation, age regression, muscular women, pregnancy, unbirthing and more. Mindi's erotica features transformations described in such vivid detail that you can almost feel them happening to you. You'll viscerally experience all the terror, confusion and guilty pleasure of your body changing, of everything you know being stripped away, leaving you to start life over in an unfamiliar and frightening but also strangely thrilling new form. Explore Mindi's world at mindiflyth.blogspot.com. Mindi Flyth can be contacted at mindiflyth@yahoo.com.
Monday, December 20, 2021
Calpernia Addams
Calpernia Sarah Addams (born February 20, 1971) is an American author, actress, musician and spokesperson and activist for transgender rights and issues. Addams grew up in Nashville, Tennessee. She served as a Hospital Corpsman with the Navy and United States Marine Corps. During her last year in the military, she came out as a transgender woman. Addams chose the name "Calpernia" from the William Shakespeare play Julius Caesar (a variant spelling of Caesar's wife Calpurnia) and its appearance on a tombstone in the film The Addams Family. Addams and Andrea James at the Out and Equal Workplace Summit. In 2002, she formed Deep Stealth Productions in Hollywood with Andrea James. Deep Stealth creates educational and entertainment material around gender-identification issues and the experiences of differently-gendered people. Addams and James coached Felicity Huffman for her Academy Award-nominated performance as a transgender woman in the film Transamerica. At the Sundance debut of Soldier's Girl, Addams met Jane Fonda, whose son Troy Garity had played Winchell. Fonda suggested Addams mount an all-transgender production of The Vagina Monologues. The production was to contribute funds and help raise awareness of violence against women; it became the subject of the 2006 documentary film Beautiful Daughters.A reality television series entitled Transamerican Love Story, featuring Addams choosing among eight suitors, debuted February 11, 2008 on Logo TV. In April 2008, Addams performed alongside Fonda, Glenn Close, Salma Hayek, Alicia Keys, and others in a tenth-anniversary production of The Vagina Monologues at the Louisiana Superdome. In May 2008, PFLAG (Parents, Families and Friends of Lesbians and Gays) chose Addams as PFLAG's spokesperson for their educational campaign, This Is Our Love Story.[10] Addams said, "I hope This Is Our Love Story will help young transgender people as they come out. By seeing the happy, confident woman I've become, I hope I can act as a role model for these young people at a critical moment in their development." Addams writes a blog on gender issues for Psychology Today. Addams has released a single entitled "Stunning", available on iTunes. Addams co-produced the song "The Vagina Song" by Willam Belli, from his debut album The Wreckoning, and made a cameo in the song's music video. In 2015, Addams appeared in the international premiere of "Trans Scripts" a new play by Paul Lucas at the Edinburgh Festival Fringe in Scotland. The production received 24 four- and five-star reviews, a Fringe First Award, a High Commendation from Amnesty International and was shortlisted for the Feminist Fest Award, the Best of Edinburgh Award, and the Holden Street Theater Award. In 1999, while working as a performer, Addams began dating PFC Barry Winchell. Word of the relationship spread at Winchell's Army base where he was harassed by fellow soldiers and ultimately murdered. Winchell's murder and the subsequent trial resulted in widespread press[4] and a formal review of the U.S. "Don't Ask, Don't Tell" (DADT) military policy, ordered by President Bill Clinton. The case became a prominent example used to illustrate the failure of DADT to protect LGBT service members. Addams' and Winchell's romance and the crimes of their abusers are depicted in the film Soldier's Girl, released in 2003. Addams was portrayed by Lee Pace. A subsequent The New York Times article, "An Inconvenient Woman", documented the marginalization and misrepresentation of transgender sexuality even by gay rights activists.
Michelle Duff
Michelle Ann Duff (born Michael Alan Duff on December 13, 1939) is a former Grand Prix motorcycle road racer. Duff's best season was in 1965, winning the 250cc Finnish Grand Prix and finishing the year in second place to Phil Read. Duff suffered a near-fatal crash in Japan and required extensive surgery and physical therapy. The recovery was documented in the 1967 National Film Board of Canada short documentary film Ride for Your Life, directed by Robin Spry. Duff married a Finnish woman in 1963 and had a son with her the same year, and a daughter two years later. In 1984, she changed her name to Michelle and commenced transition, separating from her wife. Following sex reassignment surgery, she wrote about her life as a trans woman in Make Haste, Slowly: The Mike Duff story.
Parinya Charoenphol
Parinya Charoenphol (Thai: ปริญญา เจริญผล; RTGS: parinya charoenphon; born 9 June 1981[citation needed]), nicknamed Toom,[a] also known by the stage name Parinya Kiatbusaba[b] and the colloquial name Nong Toom,[c] is a Thai boxer, former muay Thai (Thai boxing) champion, model and actress. She was a kathoey, a Thai word for a pre-operative transgender woman.[1][2] At the age of 18, she underwent sex reassignment surgery.
Contents
1 Career and current projects
2 Movie and other media appearances
3 See also
4 Notes
5 References
5.1 Citations
5.2 Sources
Career and current projects
Her public life began in February 1998, with a victory in Bangkok's Lumpini Boxing Stadium, the centre of the Muay Thai world. The Thai media were intrigued by the novelty and incongruity of a makeup-wearing 16-year-old kathoey defeating and then kissing a larger, more muscular opponent.
Although the Thai government had previously blocked kathoeys from participating in the national volleyball team for fear of negative reaction from the rest of the world, the Muay Thai establishment embraced Nong Toom, and tourism officials promoted her as "indicative of the wonders to be found" in Thailand. Muay Thai had been in a several-year slump at the time, and Nong Toom had revitalised both media and public interest in the sport, as shown by increased ticket sales and stadium revenue.
She was profiled in several magazines, and appeared in many Thai music videos. Subsequently, her public profile began to fade, but her bouts with a foreigner, as well as her trip to Japan to fight a Japanese challenger, kept her in the news. By the autumn of 1998, there was little coverage of Nong Toom to be found in either the mainstream or boxing media.
In 1999, Nong Toom caused considerable publicity by announcing her retirement from kick boxing, her intention to become a singer, and her plan to undergo sex reassignment surgery. She was initially turned down by some of the Bangkok surgeons she turned to, but was able to undergo the sex reassignment surgery in 1999 at Yanhee International Hospital.
On 26 February 2006, Nong Tum made her comeback as boxer. She fought an exhibition match for Fairtex Gym's new Pattaya branch (re-dubbed Nong Toom Fairtex Gym) by fighting a 140-pound contest against Japan's Kenshiro Lookchaomaekhemthong. Nong Toom won by unanimous decision after the three-round fight, leaving her rival with a cut near his eye from an elbow in the last round.
Nong Toom was planning another exhibition bout for sometime in 2006 with a female boxer Lucia Rijker, who portrayed the lethal "Blue Bear" in the film Million Dollar Baby.
In October 2007 Nong Toom had her first fight as a woman versus Jorina Baars in Arnhem, the Netherlands.
On 31 May 2008 Nong Toom had a fight against Pernilla Johansson at Rumble of the Kings in Stockholm, Sweden, and won by decision.
In 2010, Nong Toom opened a boxing camp, Parinya Muay Thai, in Pranburi, Thailand, which she owns and runs with American actor-writer Steven Khan. She currently teaches Muay Thai and aerobics to children at the Baan Poo Yai School.[3]
Movie and other media appearances
Her story is related in the 2003 film Beautiful Boxer in which she was portrayed by male kickboxer Asanee Suwan. The film won several national and international awards, yet opened to limited success in Thailand. She came to United States theatres in 2005. The film's director, Ekachai Uekrongtham, also wrote the solo performance Boxing Cabaret for Nong Toom which she performed in the summer of 2005 at the Singapore Arts Festival and later in Bangkok. Nong Toom's life as a kathoey is also part of the book Ladyboys: The Secret World of Thailand's Third Gender by Maverick House Publishers. Her story was also included in Julina Khusaini's National Geographic documentary Hidden Genders (2003). She had a prominent role in the 2006 superhero film-action film Mercury Man, playing the title character's transgender sibling and demonstrating her kickboxing prowess on the villains. In 2006, she appeared as a guest star on SBS television series World Record Pizza and Rallarsving in Sweden.
Michelle Dumaresq
Michelle Dumaresq is a Canadian professional downhill mountain bike competitor and trans woman. She competes with other professional female downhill mountain bike racers. She entered the sport in 2001, six years after completing gender reassignment surgery, when she was discovered riding on Vancouver's North Shore by several top women mountain bikers. Dumaresq is open about gender identity. The first event Dumaresq entered was the Bear Mountain race held in Mission, British Columbia, in May 2001. She entered the novice female class and won. In fact, her finish time was 2.5 seconds faster than the winner of the female professional category. After racing two more races, her license was suspended by Cycling BC due to complaints from female competitors. Cycling BC and the Canadian Cycling Association met privately with local organizers and at first suggested that Dumaresq quit racing. After discussion with the UCI the decision was made to permit Dumaresq to continue competing in the women's category. Dumaresq was not permitted to compete in the men's category since she is a woman legally and medically in addition to psychologically. In April 2002, she was awarded a license to race in the women's category. Three weeks later, she entered her first race in the pro women's class and finished 3rd. The following week she placed 1st, beating her competition by 10 seconds. Protests ensued and a petition was created and signed by female (and a few male) racers, asking for Dumaresq to be disqualified. Because she had a race license, the request was denied and her first professional win with females was upheld. Dumaresq went on to win the 2002 Canada Cup series, which qualified her for the Canadian National team. Later on, in September 2002, she co-represented Canada at the World Mountain Bike Championships. However, due to technical issues with her bike, Dumaresq only managed a 24th-place finish in the event. In 2003, Dumaresq won the 2003 Canadian National Championships and again represented Canada in the 2003 World Championships. She repeated her Nationals win in 2004 and finished 17th at the 2004 World Mountain Bike Championships held in Les Gets, France. At the 2006 Canadian Nationals, a protest from one of her competitors during the podium ceremonies brought renewed attention to Dumaresq's participation in female sports. The boyfriend of second-place finisher Danika Schroeter jumped up onto the podium and helped Schroeter put on a T-shirt reading '100% Pure Woman Champ'. The Canadian Cycling Association suspended Schroeter for her actions. The CCA announced that Schroeter's time off the race course would be served during the off-season when it would have no impact on her.
Mianne Bagger
Mianne Bagger (born 25 December 1966) is a professional golfer from Denmark. In 2004, by playing in the Women's Australian Open, she became the first openly transitioned woman to play in a professional golf tournament. She also became the first trans woman to qualify for the Ladies European Tour in 2004, and the first high-profile transitioned woman to qualify for a professional sports tour since Renee Richards joined the Women's Tennis Association tour during the 1970s.
She has been instrumental in gaining eligibility for transitioned women to compete on professional golf tours. Through her efforts, many professional golf organizations have amended their practices, but the policies generally still constrict rules of gender variance, and view atypically gendered women as something other than women. Bagger has sought to remove gender policies, specifically female-at-birth, as more problematic than helpful, and encourage sports organizations to see "a fuller understanding and acceptance of gender variance and human diversity."
Sunday, December 19, 2021
Isis King
Isis King (born October 1, 1985) is an American model, actress, and fashion designer. Most widely known for her role on both the eleventh cycle and the seventeenth cycle of the reality television show America's Next Top Model, she was the first trans woman to compete on the show, and became one of the most visible transgender people on television.
Tona Brown
Tona Brown (born December 30, 1979) is an American violinist, mezzo-soprano and the first transgender woman to perform at Carnegie Hall. She was the first African American transgender woman to perform for an American president.Brown, who started playing violin at the age of 10, attended the Governor's School for the Arts, an art high school program for gifted and talented students. Brown was formally educated at the Shenandoah Conservatory of Music studying violin performance with minors in viola, piano and voice. She was selected to perform in a national tour with the "Tranny Road Show", a multi-media tour group of transgender artists that toured from Florida to Canada in April 2006. Brown was also selected to be a performer for the 2011 Out Music Awards. On June 25, 2014, Brown performed at the Weill Recital Hall of Carnegie Hall.[citation needed] In 2015 Brown appeared in For Which We Stand, a full-length documentary film highlighting LGBTQ and straight artists. On June 25, 2014, Brown performed at the Weill Recital Hall of Carnegie Hall.[citation needed] In 2015 Brown appeared in For Which We Stand, a full-length documentary film highlighting LGBTQ and straight artists. Tona Brown recorded an opera movie for Shenandoah University’s 2021 production of “Suor Angelica” playing the role of La Zia Principessa. Ms. Brown will be performing in a lead transgender role as Hannah After in the opera “As One” by Laura Kaminsky with the Lowell Chamber Orchestra under the direction of Orlando Cela in the fall of 2021. Ms. Brown was also asked to do a masterclass on Transgender Voices by the Virginia National Association of Teachers of singing and teaches private lessons to students with her company Aida Studios. Brown is an advocate for transgender issues and the arts and participates in speaking engagements primarily on the east coast. She also focuses on trans issues in her online TV series, Conversations with Tona Brown. Her words of advice for transgender youth are to “not allow others to make you believe that you are not worthy of achieving what dreams you have. I cannot tell you how many people no problems had told me that I would not succeed being ‘out’ as a transgender artist.” Brown is a major inspiration who has shown the world that despite barriers related to her identity, she has still achieved her wildest dreams.
Aleshia Brevard
Aleshia Brevard (December 9, 1937 – July 1, 2017)[1] was an American author and actress of stage, screen, and television. She worked as an entertainer, actress, model, Playboy bunny, professor of theater, and author. She also underwent one of the early sex reassignment surgery procedures performed in the United States.[2] Brevard lived her life outside of the wider transgender community, and as a result, she was not publicly identified as transgender until publishing her memoirs in her later years. Brevard was born Alfred "Buddy" Brevard Crenshaw in Erwin, Tennessee on December 9, 1937.[3][4] Growing up in a religious family in a rural part of central Tennessee,[1][5] "Buddy" was close to her mother. Brevard always felt different than other children, like a girl inside, and prayed nightly to wake up a girl.[5][6] Brevard's teen years were awkward, and after a romantic disappointment in high school, Brevard left right after graduation to the West Coast.[5]
San Francisco and transition
Ending up in San Francisco, Brevard found a job as a female impersonator at Finocchio's Club in San Francisco under the stage name Lee Shaw in the early 1960s,[7] doing Marilyn Monroe impressions,[2][4] eventually achieving enough renown that Marilyn herself came to a performance.[8]
Brevard began her transition at 21 under the care of famed gender specialist Harry Benjamin in the late 1950s. At Benjamin's recommendation, Brevard underwent the surgical reassignment procedure in Los Angeles's Westlake Clinic under the care of surgeon Elmer Belt.[5]
Brevard later worked as a stripper in Reno and as a Playboy bunny.[2]
Education
After a year's recovery post-surgery,[5] she enrolled as a student at Middle Tennessee State University for her undergraduate education[9][non-primary source needed]. During this period, she became more comfortable with her womanhood, got married, and took classes.[5] This was at a time when she was a working actress, touring the U.S. doing theater, and working in film or television. She gained membership in Hollywood unions,[9][non-primary source needed] and ultimately got her master's degree in Theater from Middle Tennessee State.[6]
Through Dr. Harry Benjamin, Brevard became friends in the late 1950s and 1960s with other transgender patients of his, including Charlotte Frances McLeod and Kathy Taylor, and they became a support network for each other. They had lunches with Dr. Benjamin who they considered to be a paternal mentor and friend.
Attitude towards gender
Brevard's was one of the early medical transitions, and occurred before the term transgender had been coined and before there was a transgender community in San Francisco.[1][10]
Brevard did not identify as trans early in her life and often deflected questions.[11] Her husbands were not aware that she had transitioned.[1] However she decided to change because she realized she was denying her own personal history.[11] Once her memoir was published in 2001, she started to become labeled a "transsexual writer" and "transsexual actress". As she stated in her second book, "I'd been labeled—forced into a transsexual mold."[10]
"Professionally, both as a film/stage actress and, later, as a university professor of theatre, my life was lived outside the gender community. Only after publishing two memoirs, when in my 60s and 70s, did I first hear the term 'transgender' and become aware of the community's stated agenda," she said in an interview in 2013.[5] She also said in April 2017 "I did not go through gender reassignment to be labeled transsexual. I look at that as an awkward phase that I went through—sort of like a really painful adolescence. I don't even think of myself now in terms as transsexual. That's something I experienced and (something) I was.[3]
"For me, as well as for my early sisters, the goal was never to live with a 't' before our names. Our objective was to blend so thoroughly that the things mixed could not be recognized. It was a choice, made not because we felt any shame about our transsexual history, but because our goal had always been to live fully as the women we’d been born to be."[5]
In the book Bodies in the Making: Transgressions and Transformations (2006) by Nancy N. Chen, Brevard is interviewed by Mary Weaver discussing topics like gender, gender reassignment, the importance of personal history, and personal transformation.[11]
Later life
After her work in television and film, she returned to Tennessee and received her M.A. in Theater Arts from Middle Tennessee State University.[6] She met her first husband in Tennessee and had other marriages, which according to her sister, did not work out.[citation needed] She returned to California in the late 1990s, settling outside of Santa Cruz, California with an old friend, finding work as a substitute teacher, and doing community theater.
Aleshia Brevard died at home in Scotts Valley, California on July 1, 2017 at the age of 79.[1]
Miss Major Griffin Gracy
Miss Major Griffin-Gracy (born October 25, 1940), often referred to as Miss Major, is a trans woman activist and community leader for transgender rights, with a particular focus on women of color. She served as the original Executive Director for the Transgender Gender Variant Intersex Justice Project, which aims to assist transgender persons, who are disproportionately incarcerated under the prison-industrial complex. Griffin-Gracy has participated in activism for a wide range of causes throughout her lifetime, including the 1969 Stonewall riots in New York City. Griffin-Gracy was born in the South Side of Chicago on October 25, 1940, and was assigned male at birth. Griffin-Gracy participated in drag balls during her youth, and described her experience in Chicago in a 1998 interview: [The drag balls] were phenomenal! It was like going to the Oscars show today. Everybody dressed up. Guys in tuxedos, queens in gowns that you would not believe— I mean, things they would have been working on all year...And the straight people would come and watch, they were different than the ones who come today. They just appreciated what was going on. Griffin-Gracy also believed that, at the time, she and her peers were unaware they were questioning the gender they were assigned at birth, and noted that much of the contemporary terminology surrounding gender identities did not exist. Miss Major reported that she came out as a transgender woman in the late 1950s. As a transgender woman, Griffin-Gracy was met with a lot of criticism and maltreatment from her peers. In a radio interview, she recalls the need for someone to always be by her side in order to avoid situations where her peers could single her out and violently attack her. At the start of her medical transition, Griffin-Gracy relied on the black market for her hormones. Over twenty years, she suffered from homelessness and participated in sex work. She also participated in other illegal activities, including theft, in order to support herself. Griffin-Gracy has five sons. Christopher was born in 1978. Her three other sons were adopted into her family after meeting them in a California park. The boys were runaways, and had meals together with Griffin-Gracy and her biological son. In September 2020, Griffin-Gracy announced that she and her partner, LGBTQ+ activist Beck Witt (a trans man himself), were expecting a child together. On 9th January 2021, Beck & Miss Major welcomed their son Asiah Wittenstein Major into the world. After having been kicked out of two colleges for the outward expression of her identity, Griffin-Gracy moved from Chicago to New York City. While some organizations, including gay bars in the city, would deny entry to trans women, she established herself within an LGBT community associated with the Stonewall Inn, a bar in Greenwich Village. She recounted, "We could go to Stonewall and everything would be fine, we didn't have to explain ourselves." On June 27, 1969, Griffin-Gracy was in the Stonewall Inn meeting with a girlfriend when the bar was raided, an action which initiated the Stonewall riots. Griffin-Gracy was a leader in the riots, but was struck on her head by a police officer and was taken into custody. She reported that a corrections officer broke her jaw while in prison. She had a five-year sentence at Clinton Correctional Facility in Dannemora for a burglary conviction where she met Frank "Big Black" Smith who had participated in the Attica Correctional Facility riots of 1971. The two of them communicated regularly during her time there, him showing her great respect despite her gender identity. Smith talked Griffin-Gracy through the information that she needed to really help her community—to fix a problem rather than mask it. She was released from Dannemora in 1974 with new hope for her community. Griffin-Gracy moved to San Diego in 1978 and organized community efforts and grassroots movements. She initially started with work at a local food bank and later provided direct services for trans women who were incarcerated, suffering from addiction, or homeless. While in San Diego, the AIDS epidemic struck the United States, and as a part of her service, Griffin-Gracy found herself providing additional healthcare and multiple funerals each week. Griffin-Gracy then moved to the San Francisco Bay Area in the mid 1990s where she served on multiple HIV/AIDS organizations including the Tenderloin AIDS Resource Center. In 2003, Griffin-Gracy began working at the Transgender Gender Variant Intersex Justice Project (TGIJP) shortly after it was founded by Alex Lee, although sometimes she is credited as the founder. She served as the Executive Director of the project, leading efforts to support transgender women who have been imprisoned, particularly women of color. Both within her organization and without, she has fought against criminalization and police brutality. She is credited for leading direct service efforts and personalized care to incarcerated trans women of color with TGIJP in addition to her leadership in previous organizations. Griffin-Gracy views the state of being transgender or genderqueer as one of "living outside the law" due to constant rejection from mainstream audiences, particularly in pursuing job or education opportunities. She also argues that while many people with transgender and queer identities are not imprisoned, their identities and means of expression are policed through social behavior and state policies. She frequently cites the prison industrial complex as a major factor in why transgender people are incarcerated, specifically people of color and those with low income. Griffin-Gracy has discussed the need for activism for transgender persons based in part on stories of discrimination from others. She herself began her journey as a trans activist after being made aware of how many young trans women were being murdered with no response from the world around them. In the 1970s, a friend named Puppy, a Puerto Rican trans woman and sex worker, was found dead in her own apartment. Griffin-Gracy held that there was evidence of a murder, but authorities ruled her death a suicide. Griffin-Gracy described the event and its impact on her in an interview: Puppy's murder made me aware that we were not safe or untouchable and that if someone does touch us, no one gives a shit. We only have each other...So I started looking out for myself … whenever we got into a car [we] would write down as much information as possible. We would try (to)...get a guy to walk outside the car so that everyone could see him, so we all knew who he was if she didn't come back. That's how it started. Since no one was going to do it for us, we had to do it for ourselves. This outlook has fueled much of her activism to date. Griffin-Gracy has frequently criticized the LGBT movement based on its exclusion of transgender persons from participation and positions of leadership, particularly trans people of color, those with low income, and those who have been previously imprisoned. Griffin-Gracy is a self-proclaimed feminist. Her view of feminism is a woman's ability to be both strong and sensitive, and to do so proudly. She made the decision to identify as a feminist when people began questioning her as a parent. She focuses her activism on the safety of young trans women today, a liberal feminist approach. She has noted that her favorite aspect of activist work is the education and hope that it provides to the women in her community. She wishes for the simplest human rights for trans youth, saying: I'd like for the girls to get a chance to be who they are. For young transgender people to go to school, learn like everyone else does, and then get out there and live their lives, not afraid or thinking that the only solution for them is death. In addition to her focus on basic human rights, Miss Major advocates for radical change in her community. She strives to bring attention to the intersectionality of poverty, race, and gender in situations related to incarceration, employment, and mental and physical health. She draws inspiration for her activism from Elizabeth Taylor and Angela Davis. A documentary titled Major! was released in 2015 and portrays Griffin-Gracy's role as an activist and mentor in the transgender community since the 1960s. She describes the film as not only a tool to present to young trans women their history, but as a reminder for herself that young women still need her help.
Canary Conn
Canary Conn (born 1949) is an American entertainer and author. Her memoir, Canary: The Story of a Transsexual, was one of the early notable memoirs of a self-described Transsexual, and she made numerous talk show appearances to discuss her transition in the 1970s. Conn grew up in San Antonio, Texas and was married with a baby by 18. In 1968, Conn was the entrant sponsored by KONO-FM in a national talent show hosted by Ed Ames and Aretha Franklin titled Super Teen: The Sounds of '68. After winning best male vocalist, Conn was given a recording contract with Capitol Records as the prize. In 1969, under the name Danny O'Connor, Conn recorded four songs for Capitol, including "Imaginary Worlds" and "Ridin' Red Hood." In March of that year, Capitol released a 45 with the singles "Can You Imagine" and "If I Am Not Free." Following a suicide attempt, Conn made her transition at age 23. She found it difficult to get subsequent work, and she only had one contact with her son in 1972 following the breakup of her marriage. In 1974, she published Canary: The Story of a Transsexual. A paperback version of her memoir was released following an appearance on The Merv Griffin Show. Conn also appeared on Tomorrow and The Phil Donahue Show. She later discontinued her media appearances and founded a small business
Veronique Renard
Véronique Françoise Caroline Renard (Jutphaas, 26 May 1965) is a Dutch author and visual artist. She is also known as Pantau, a name that was adopted after meeting the Dalai Lama at an audience at his home in McLeodganj, Dharamsala, India in 2000. The name Pantau (also written in Roman as Phentok) means "to be helpful" or "beneficial". Pantao (Chinese: 蟠桃; pinyin: pántáo) is also a Chinese name for a flat, small peach, reputed to be food for Taoist fairies. Renard was raised and educated in the Netherlands. She is the daughter of Annie Garda Van Unen (born 1931), a former senior accountant of the Breda Candy Company FAAM, and Wilhelmus (Wim) Gerardus Renard (1931–2009), a businessman who founded the REACS Company in 1956. Renard is a descendant of the German composer/conductor Paul Albin Stenz who was awarded the Gold Medal of Orange-Nassau by Queen Wilhelmina of the Netherlands. One year prior to his death in 1918 he was naturalized as a Dutch citizen. Renard's grandfather, Johannes (Paul) Renard was a cityscape painter in Rotterdam.
Renard speaks (in order of fluency) Dutch, English, German, French, Thai and Tibetan. In 1982, at the age of 17, Renard transitioned to being a woman with the support of her family, friends and people in her hometown. Renard's mother renamed her Véronique. In 1983, Renard was granted permission by a court in Utrecht to change her legal name, she added her second name Françoise (after her best friend), and third name Caroline (after Caroline Cossey, a British model who appeared in the 1981 James Bond-film For Your Eyes Only with Roger Moore). Initially unaware of the phenomenon of transsexualism and gender reassignment surgery (GRS), Renard conveyed in her 2007 memoir that the international media attention around Cossey in 1982 regarding her transition helped Renard to self-diagnose her own gender dysphoria. The day after reading about Cossey in a Dutch tabloid, Renard consulted her doctor and shortly after, the Amsterdam Gender Team. Renard was diagnosed with Klinefelter's syndrome, having 47 chromosomes (XXY). Females have an XX chromosomal makeup, and males an XY. Renard started hormone replacement therapy soon after. She completed her physical transition 18 months later in 1984.
Renard was one of the first 150 persons to receive contemporary GRS in the Netherlands. Louis Gooren, a professor of endocrinology at the special chair of transsexology at the Free University Amsterdam, guided her through the process. The medical team involved in her GRS included plastic surgeons Auke de Boer and J. Joris Hage as well as gynecologists C. Jager and A. Drogendijk. In 1984, at age 18, Renard learned from the Amsterdam Gender Team that she was most likely the youngest person in the world to receive complete contemporary GRS. In October 1984, the Dutch Government granted Renard permission to have her gender corrected on her birth certificate. Renard is most likely the first post-operative trans woman in the world to be legally recognized as a female In the early 1980s, Louis Gooren, a professor, put pressure on the Dutch parliament to discuss the option of legal recognition of post-operative transsexuals in the Netherlands. The Netherlands became the first country in the world to legally and fully recognise post-operative transsexuals by accepting a new law in 1985.[4] Fearing rejection and discrimination, Renard never volunteered to mention her gender reassignment to friends, colleagues and lovers.
Renard started her career in 1982 working for a local travel agency. Thereafter she was employed as a management assistant with Philips Electronics and Mercedes Benz. As from 1984 she held various functions with the University of Utrecht. In 1987 she moved to working as the personal assistant of the vice president of Amdahl Netherlands. In 1989 Renard was hired by Amdahl’s main competitor IBM. As she felt dissatisfied with IBM’s corporate atmosphere, she found new employment with TNT-XP. Renard left the company after 6 months. In 1990, while working as a temp for ExpoConsult, she was contacted by a business partner of ExpoConsult, the US-based publisher Conway Data Inc. The president asked her to set up a European branch office, launch a European edition of their business magazine Site Selection, and represent the organisation at international events. She also functioned as the administrator of Industrial Development Research Council (IDRC) Europe. In 1994 Renard left the company in order to concentrate on her academic studies. She attained a Ph.D. in Dutch Literature in 1997. In 1997 Renard started working as an office manager for Lucent Technologies. Five months later, Renard was informed by one of her colleagues that there were rumours within the organisation regarding Renard’s alleged transsexualism and upcoming lay-off. Renard threatened Lucent to take them to court, accusing them of discrimination. The dispute was settled out of court. Renard’s last employment started in January 1999 as an office and relocation manager with Davilex, a fast-growing computer game company which was in the process of building a new head office. Days after Renard successfully completed the company’s relocation project, the president asked her to leave the company. Renard received word that the board of directors found out about her transsexualism. Renard threatened Davilex to take them to court and make a major media hype out of her dismissal. Davilex and Renard's lawyers eventually settled the case out of court.
In the spring of 2000, Renard moved to the hometown of the exiled Dalai Lama in the Indian Himalayas. There she focused on her activities as a writer and pro-Tibet activist.[8] Concerned with the well-being of the Tibetan people and preservation of Tibetan culture, Renard hopes to create more awareness regarding the Tibetan plight by means of the written word. In 2000 and 2001 she published three books in English, in India and Nepal regarding the Tibetan Freedom Struggle (Pantau in Dharamsala, The Fire of Hell, Pantau in India). A Dutch version of her autobiography Pantau in India has also been published in the Netherlands and Belgium in 2003. In 2006, Pantau in India has also been published in the English in the United States. In June 2007, Renard published her follow-up memoir, Pholomolo - No Man No Woman. This book focuses on her experiences with gender dysphoria. After living in the Himalayas for nearly seven years, Renard moved to Thailand in October 2006. In November 2009, Renard signed a book deal with the American publisher PD Publishing.
In May 2000, Renard established the Pantau Foundation to raise funds and help destitute Tibetan refugee children living in exile in India. Together with her Dharamsala-based spokesperson, Jonathan Blair, and New York-based friends Bobby John Parker Jr. and Sebastian Bond, the foundation supports a growing number of Tibetan children.
Renard had numerous romantic relationships, some of which she describes in her memoirs including Malicious Mistake (1985) and Pholomolo - No man No Woman (2007). Several ended when her gender identity as a trans woman was revealed. In 1992, during a business trip to the French Riviera, she met a young British aristocrat residing in Paris, the son of a billionaire. Though deeply in love with each other, the man was forced by his parents to end his relationship with her in order to marry a British lady (aristocrat). As part of her spiritual journey in the Himalayas, Renard practiced celibacy and abstinence between November 2001 and March 2005.[19] During a vacation in Thailand in the winter of 2005 she started dating a Thai physician of Chinese descent. Renard returned to India three months later but finally decided to immigrate to Thailand. Renard lived in Bangkok for 5 years before she returned to the Netherlands in 2011.
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